Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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John Raphael Smith
Sarah Siddons as Zara in Congreve-s The Mourning Bridg

ID: 44578

John Raphael Smith Sarah Siddons as Zara in Congreve-s The Mourning Bridg
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John Raphael Smith Sarah Siddons as Zara in Congreve-s The Mourning Bridg


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John Raphael Smith

English Painter, 1752-1812,English printmaker, publisher and painter. The youngest son of the landscape artist Thomas Smith of Derby (d Bristol, 12 Sept 1767), he was apprenticed to a linen draper at the age of ten and around 1767 became a linen draper's assistant in London. He seems to have taught himself to paint miniatures and produced his first mezzotint in 1769, from Henry Benbridge's portrait of General Pascal Paoli (San Francisco, CA Pal. Legion of Honor). Smith married and opened a draper's shop in Exeter Exchange; about 1773 he began to engrave professionally and sold prints from the same shop.   Related Paintings of John Raphael Smith :. | Unknow work 107 | James Peal s oil painting Fruits of Autumn | Brunhilde Observing Gunther | Young girl with a wihte scarf | Karl X Gustav |
Related Artists:
Dvid Beck

Jan Stobbaerts
1539 - 1584
Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.






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